Recently a lot of people have been talking about this one documentary film. The Blue Indonesia Expedition team and production house WatchDoc Documentary say they’ve been keen to make the final installment in the series based on their recent year-long expedition traveling throughout Indonesia. After producing many films in the series as a result of their expedition, including films such as Samin vs Cement (2015), Kala Benoa (2015), The Mahuzes (2015), Asymmetric (2018) and many others, comes the latest most talked about addition, Sexy Killers: a Documentary (2019). (Read more at “Review ‘Sexy Killers’, Film dan Isu Terseksi Tahun Ini” Kompasiana 15 April 2019)
This is the trailer for “Asymmetric” (Asimetris), the ninth documentary film in the ground-breaking Blue Indonesia Expedition series (Ekspedisi Indonesia Biru) on contemporary Indonesia following the acclaimed documentaries:
1. Samin vs Semen
2. Kala Benoa
3. The Mahuzes
5. Kasepuhan Ciptagelar
6. Lewa di Lembata
8. Gorontalo Baik
The whole film will be uploaded this coming March.
Traveling Images: Photographs from colonial Indonesia and the Meaning of Colonial Space around 1900 By Sophie Junge
Leiden Asia Year
Images from the Dutch East Indies have been legitimizing Dutch colonial activity since the 17th century. Especially 19th century-photography was used to repress indigenous populations and to demonstrate Dutch authority on the archipelago. Nevertheless, it was not photography but the reproduction of photographic images that made the colony a place to be seen. Throughout the 19th century only few local studios took pictures of the Dutch East Indies and even fewer photo albums traveled back to the Netherlands in the luggage of retired colonial staff to stay in the private space of the family. It was not until the introduction of mass-reproduced images around 1900 that the visibility of the colony drastically increased.
The seminar examines the medial and trans-colonial circulation of printed photographic images on picture postcards, in illustrated magazines and travel guidebooks that reached broad audiences within the colony and beyond its borders. These images, often produced by a transnational network of photo studios, printers and publishers, give insight in the meaning of colonial space and the meaning of the photographic image around 1900. In extending postcolonial research on representations of indigenous “Others”, the paper argues that photographs of colonial space could only be understood in specific visual or textual framings, which combined existing photographic imagery with European postcard designs, Art Nouveau decorations and/or textual information. The paper analyses representations of colonial space to find out more about the creation of a specific canon of images, the reception of colonialism in the beginning of the 20th century and its meaning in terms of Dutch national identity.
Dr. Sophie Junge works at the Centre for Studies in the Theory and History of Photography at the Institute of Art History of the University of Zürich. Currently, she is also affiliated at Leiden University as a research fellow of the Swiss National Science Foundation to prepare a Postdoc project on photographic images from the Dutch East Indies after 1900. Her book Art Against AIDS. Nan Goldin’s Exhibition Witnesses: Against Our Vanishing has been published in 2016.
Date: Thursday 11 May 2017
Time: 15.30 h – 17.00 h
Venue: KITLV, room 138, Reuvensplaats 2, Leiden
Please register if you wish to attend: firstname.lastname@example.org