‘Framing Asia’ is a monthly film screening and discussion on Asia during the Leiden Asia Year.

“Framing Asia” – The next monthly film screening and discussion during the Leiden Asia Year – KITLV

‘Framing Asia’ is a monthly film screening and discussion on Asia during the Leiden Asia Year. We are very pleased to invite you to the fifth edition of  ‘Framing Asia’. You are welcome to join us on Wednesday 7 June at 19.30 h at Lipsius 028. This edition will screen three films centered around the theme ‘Decolonization and Revolution: Veterans and Re-enactments’.

Libera Me (30 min)

Martin van den Oever & Jos Janssen

Libera Me is a transnational approach to the colonial war between Indonesia and the Netherlands. With personal reflections of some veterans of war from both sides a concentrated circular and shared history of 30 minutes is constructed, merging and reconciling both perspectives. We meander between past and present and between two nations that came to be further apart then they already were.

Looking Back Now (18 min)

Marjolein van Pagee

A sequence of videos made between 2013-2015 that show the people that Van Pagee interviewed, all related to memories of the Indonesian independence war in East-Java and Madura. In this 18 minute video-compilation we will see the people behind the portraits of photo-project ‘Kembang Kuning – Yellow Flower’. Stories about war and destruction are usually sad, yet, the compilation ends with a video that will make you laugh for sure.

The Feel of History (29 min)

Lise Zurne

Each year, a historical society called the Komunitas Djokjakarta 1945 reenacts one of the last battles with the Dutch colonizers of 1949 in Yogyakarta, Indonesia. Following their preparations, this film seeks to portray this community and its main members. By focusing on the material culture of re-enactment, one learns how these re-enactors create a spectacular and romanticized re-presentation of the past that allows them to temporarily be the war heroes that they worship so much.

All filmmakers will be present to enter a discussion with Bart Luttikhuis. Bart Luttikhuis is a researcher at KITLV in late colonial history and the history of decolonization, with a particular empirical focus on early to mid-twentieth century Indonesia.

Date: Wednesday 7 June 2017

Time: 19.30 h

Location: Leiden University, Lipsius Building, room 028

More information: www.kitlv.nl/framing-asia

Adat law 100 years on: towards a new interpretation?

‘Adat law 100 years on: Towards a new interpretation?’ – KITLV

REMINDER: The Van Vollenhoven Institute for Law, Governance and Society (VVI), in collaboration with the Royal Netherlands Institute of Southeast Asian and Caribbean Studies (KITLV), organize an international conference on the continued importance of adat law in present day Indonesia on 22 May 2017.

International Conference: ‘Adat law 100 years on: Towards a new interpretation?’

Leiden Asia Year

Leiden Asia Year

22 May 2017

National Museum of Ethnology, Leiden

This international conference focuses on adat law in Indonesia a century after the Adat Law Foundation (adatrechtstichting) was set up in Leiden in 1917 by Cornelius van Vollenhoven and Christiaan Snouck Hurgronje. In present-day Indonesia adat law continues to be of great importance.

The international conference aims to provide an update and to look at the current legal, social and political meaning of adat law, the way it is being invoked and how it is deployed for a variety of purposes. The key question is what the relevance of adat law is in present-day Indonesia.

Read more about the progam

Date: 22 May 2017

Time: 13.30 – 18.00

Venue: National Museum of Ethnology, Steenstraat 1, Leiden

Registration required: adat.law.conference2017@gmail.com

Founded by KITLV/Adatrechtfonds, Leiden University (AMT, VVI) & LUF.

For more information visit http://www.kitlv.nl/conference-adat-law-100-year/

Graffiti

Event: Two films on transgender issues in Indonesia

07 February 2017

Film screening

The first screening of the ‘Framing Asia’ film series will focus on transgender issues in Indonesia. Two short films Renita, Renita and Accross Gender  will be followed by discussion with Intan Paramaditha, Indonesian author and lecturer in media and film studies and one of the filmmakers, Anouk Houtman.

Films

Renita, Renita (15min)

Tony Trimarsanto

Trapped in a male body, Renita wanted to be a doctor and a woman since she was a child but her parents forced her to study at a Islamic school where she was bullied and ostracized. She rebelled by becoming a prostitute in the hope of finding freedom but instead, found that it came at a cost — she experienced brutality and was discriminated against by her family and the Indonesian society in which she lived.

Across Gender (24min)

Anouk Houtman

What is it like being transgender in Yogyakarta? There is no single answer to this question. This film aims to show different ways of negotiating visibility in the Indonesian society when one ‘crosses gender’. The difficulty of this negotiation becomes apparent through the anti-LGBT sentiments and actions in early 2016.

Discussion

Anouk Houtman is a young filmmaker with an MA in Visual Anthropology of Leiden University. She graduated with a film and thesis researching the visibility of transgenders in Yogyakarta, Indonesia. Currently she is pursuing a second MA in Gender Studies and University Utrecht.

Intan Paramaditha is an Indonesian author and lecturer in media and film studies at Macquarie University, Sydney. Focusing on contemporary film practice in Indonesia, her research explores the relation between media, cultural activism, and sexual politics in the convergence and tension between national and cosmopolitan trajectories.

Time 19:30- hrs Venue Faculty of Humanities, Lipsius building, rom 028 Cleveringaplaats 1 Leiden Netherlands Google Maps

Source –http://iias.asia/event/two-films-transgender-issues-indonesia

Event: Women’s Resistance Through Arts and the Media in Indonesia – Intan Paramaditha

image

Praktisch: Free entrance
Doors open: 19:30
Met
Intan Paramaditha
Women’s Resistance Through Arts and the Media in Indonesia

The discourse of sexuality is inseparable from the tension and polarization that characterize politics and culture in Indonesia. Last year, after a series of anti-LGBT statements were publicly expressed by government officials and public figures, “pro-family” groups proposed to outlaw non-marital sex and homosexuality. This is not a sudden turn as debates around sex, bodies, and morality have been a national obsession for the past two decades. Sexuality is a contested sphere that reflects the fractured nature of the post-authoritarian nation.

Growing conservatism in Indonesia, as elsewhere, entails the attempts to regulate and censor women’s bodies. …

Source – http://intanparamaditha.org/event-womens-resistance-through-arts-and-the-media-in-indonesia/

Mau Dibawa Ke Mana Sinema Kita? : Beberapa Wacana Seputar Film Indonesia – Khoo Gaik Cheng & Thomas Barker (Penyunting)

Saya sering berkata “malas” untuk menonton film Indonesia. Bukan demi menunjukan sikap resistansi apapun. Tak ada pembenaran terkaitnya, karena mendukung perfilman Indonesia paling sederhana memang…

Mau Dibawa ke Mana Sinema Kita?

Mau Dibawa ke Mana Sinema Kita?

Source: Mau Dibawa Ke Mana Sinema Kita? : Beberapa Wacana Seputar Film Indonesia – Khoo Gaik Cheng & Thomas Barker (Penyunting)

Blue Mosque

Request

By Muhammad Yamin, 1921

Listening to the waves close to me
Pounding to the left and to the right
Chanting their charity-filled song
Awakened is longing for the place of my birth.

To my side over in the East
Shrouded in cloud-billowed skies
Appears the island full of marvels
That assuredly is the country of my birth.

Wherever the sea may pound and crash
And arrive seething on the sand
That is where my soul, first was cast forth.

Wherever the waves may spraying writhe
Wetting the coast of the isle of the Barisan range
That is the place please, lay me to rest.

On the Indian ocean, June 1921

padang

Padang city, West Sumatra


Request (Permintaan) was first published in Indonesian in the Dutch-language journal Jong Sumatra : organ van den Jong Sumatranen Bond, Batavia, June 1921. It was republished in Pane, Armijn (ed), Sandjak-Sandjak Muda Mr. Muhammad Yamin [The Young Poems of Mr. Muhammad Yamin], Firma Rada, Djakarta, 1954, p. 6.

Homeland

By Muhammad Yamin, 1920

maninjau-view

On the barrier, the Barisan range,
I gaze down, looking down I behold;
Spread out dense jungles and valleys;
And charming rice fields, winding rivers;
And then more, I also behold,
The green sky exchanging colors
With forest crown, palm leafed jungles;
That is the land, my homeland
Sumatra its name, my beloved birth country.

As far as the eye can see, nothing but forests,
Mountains and hills, bestrewn with valleys;
Far in the distance, over there,
Hemmed in by mountains one by one
There is none other than a heaven,
Not a second perfect earth
– But Eden of the Malays above the world!
That is the country which I love,
Sumatra its name, which I honor.

On the barrier, the Barisan range,
Looking down on beautiful beaches and bays;
Stretching water, endless water,
None other the ocean, the Indian ocean.
There visible the waves, multitudes of waves
Breaking onto the sands, then spreading out,
They thunder, as if proclaiming:
“Oh Andalas, isle of Sumatra,
Make sweet the name, from north to south!”

Bogor, July 1920

Ngarai Sianok

Ngarai Sianok


Homeland (Tanah Air) was first published in Indonesian in the Dutch-language journal Jong Sumatra : organ van den Jong Sumatranen Bond, Batavia, 1920 No. 4. It was republished in Pane, Armijn (ed), Sandjak-Sandjak Muda Mr. Muhammad Yamin [The Young Poems of Mr. Muhammad Yamin], Firma Rada, Djakarta, 1954, p. 5.