Salawaku

Salawaku Trailer – MIFF

 

The remote wilderness of Indonesia’s Maluku Islands provides a magnificent backdrop for this gentle journey of youthful discovery.

In a secluded village in Indonesia’s beautiful Maluku Islands, ten-year-old Salawaku’s older sister has gone. Salawaku takes it upon himself to find her and sets off on a grand journey into the wild heart of his country. Joined in his travels by the son of the village chief and a tourist from Jakarta carrying her own heavy burden, Salawaku will learn to see his sister in a new light after discovering that the world of adults is more complicated than it seems.

From rising star of Indonesian cinema Pritagita Arianegara comes Salawaku, an eye-opening and heart-stirring road movie set in a stretch of the world where roads barely exist. Nominated for eight awards at the Indonesian Film Festival, including Best Film and Best Director, it is a film of surprises and wonder, where difficult secrets and glorious landscapes combine into a tender and morally complex whole.

CLASSROOM DISCUSSION POINTS
Double standards for men and women in different cultures, attitudes towards sex and family, how romance is depicted in cinema, the divide between the country lifestyle and the city lifestyle, knowing how to behave ethically.

MIFF recommends this film as suitable for ages 10+
Very mild themes about unwanted pregnancy and abortion, all of which is mostly indirectly implied through dialogue, and none on which is shown. Some very mild impact scenes depicting characters being pushed around and slapped. One scene where adult characters get drunk.

Source: Melbourne International Film Festival

 

Indian Troops in Bekasi 1945

Two Poems For B. Resobowo

By Chairil Anwar

I

Is this journey far?
Just the twinkle of an eye! – How could it be any longer!
Then what?
Of the falling leaves you ask for yourself,
And of the soft sound which becomes a melody!

Does it remain only as a memento?
Look at the woman no longer gazing upward
Nor wistful, the stars have vanished!

So how long is this journey?
Could be a century… oh just the blink of an eye!
A journey for what?
Ask my childhood home which is mute!
My ancestors frozen there!

Is someone touching me to follow?
Is someone lost?
Ah, answer for yourself! – I am still
Homeless and lost………

 

Heaven

By Chairil Answar

Just as my mother and my grandmother too
And as seven generations before
I too ask to be allowed into heaven
which say Masyumi and Muhammadiyah flows with rivers of milk
and is full of beautiful maidens
But there’s a voice inside me weighing this up,
which dares to scoff: Can heaven really be
barren of the waters of the blue oceans,
of the soft touch of every harbor how come?
And also who can say for sure
there definitely awaits beautiful maidens
sounds like they have trouble swallowing like Nina, have Jati’s wry glance?

Malang, 28/2-’47


Published in Pantja Raja, p. 338.

Photo: Indian troops with four armed Indonesians captured at Bekassi before the village was burnt as a reprisal for the murder of five members of the Royal Air Force and twenty Maharatta riflemen whose Dakota transport aircraft crash landed near the village.

http://www.iwm.org.uk/collections/item/object/205208517

Burnt out car

Heaven

By Chairil Anwar, 1947

Just as my mother and my grandmother too
And as seven generations before
I too ask to be allowed into heaven
which say Masyumi and Muhammadiyah flows with rivers of milk
and is full of beautiful maidens
But there’s a voice inside me weighing this up,
which dares to scoff: Can heaven really be
barren of the waters of the blue oceans,
of the soft touch of every harbour how come?
And also who can say for sure
there definitely awaits beautiful maidens
sounds like they have trouble swallowing like Nina, have Jati’s wry glance?

Malang, 28/2-’47


Masyumi was a post-World War II Islamic political party.

Muhammadiyah is a major Islamic non-government organisation which was founded in 1912.

Photo: http://www.iwm.org.uk/collections/item/object/205208464

 

Mesjid Cikini Raden Saleh Jakarta 1947

Arctic Tuti

By Chairil Anwar, 1946

Between happiness now and in the future yawns a great canyon,
my little sis who’s lapping up an arctic ice dessert;
this afternoon you were my love, I decorated with eclairs and Coca-Cola,
my wife in training: we made the clock tick stop.

You’re really good at kissing, there’s a cut I can still feel
– When we rode our bicycles I took you home –
You’re blood’s so hot, how fast you became woman
Visions vivid fly high into the sky

Every day you meet your choice, every time changing;
tomorrow we’ll pass in the street and we’ll totally blank each other;
heaven’s only playing for a moment.

I too am like you, everything passes away quickly
Me and Tuti and Greet and Chinese Honey…… souls abandoned,
Love’s a joy that so quickly fades.


Arctic Tuti (Tuti Artic), Pantja Raja, No. 1 Vol. 2, 15 Nov 1946, p. 482.


Photo: Tjikini moskee aan de Raden Saleh te Jakarta, Indonesië (1947) Fotograaf: Cas Oorthuys Vervaardigingsjaar 1 januari 1947 tot 28 februari 1947

http://resolver.kb.nl/resolve?urn=urn:gvn:NFA02:cas-10031-11

‘Framing Asia’ is a monthly film screening and discussion on Asia during the Leiden Asia Year.

“Framing Asia” – The next monthly film screening and discussion during the Leiden Asia Year – KITLV

‘Framing Asia’ is a monthly film screening and discussion on Asia during the Leiden Asia Year. We are very pleased to invite you to the fifth edition of  ‘Framing Asia’. You are welcome to join us on Wednesday 7 June at 19.30 h at Lipsius 028. This edition will screen three films centered around the theme ‘Decolonization and Revolution: Veterans and Re-enactments’.

Libera Me (30 min)

Martin van den Oever & Jos Janssen

Libera Me is a transnational approach to the colonial war between Indonesia and the Netherlands. With personal reflections of some veterans of war from both sides a concentrated circular and shared history of 30 minutes is constructed, merging and reconciling both perspectives. We meander between past and present and between two nations that came to be further apart then they already were.

Looking Back Now (18 min)

Marjolein van Pagee

A sequence of videos made between 2013-2015 that show the people that Van Pagee interviewed, all related to memories of the Indonesian independence war in East-Java and Madura. In this 18 minute video-compilation we will see the people behind the portraits of photo-project ‘Kembang Kuning – Yellow Flower’. Stories about war and destruction are usually sad, yet, the compilation ends with a video that will make you laugh for sure.

The Feel of History (29 min)

Lise Zurne

Each year, a historical society called the Komunitas Djokjakarta 1945 reenacts one of the last battles with the Dutch colonizers of 1949 in Yogyakarta, Indonesia. Following their preparations, this film seeks to portray this community and its main members. By focusing on the material culture of re-enactment, one learns how these re-enactors create a spectacular and romanticized re-presentation of the past that allows them to temporarily be the war heroes that they worship so much.

All filmmakers will be present to enter a discussion with Bart Luttikhuis. Bart Luttikhuis is a researcher at KITLV in late colonial history and the history of decolonization, with a particular empirical focus on early to mid-twentieth century Indonesia.

Date: Wednesday 7 June 2017

Time: 19.30 h

Location: Leiden University, Lipsius Building, room 028

More information: www.kitlv.nl/framing-asia

Adat law 100 years on: towards a new interpretation?

‘Adat law 100 years on: Towards a new interpretation?’ – KITLV

REMINDER: The Van Vollenhoven Institute for Law, Governance and Society (VVI), in collaboration with the Royal Netherlands Institute of Southeast Asian and Caribbean Studies (KITLV), organize an international conference on the continued importance of adat law in present day Indonesia on 22 May 2017.

International Conference: ‘Adat law 100 years on: Towards a new interpretation?’

Leiden Asia Year

Leiden Asia Year

22 May 2017

National Museum of Ethnology, Leiden

This international conference focuses on adat law in Indonesia a century after the Adat Law Foundation (adatrechtstichting) was set up in Leiden in 1917 by Cornelius van Vollenhoven and Christiaan Snouck Hurgronje. In present-day Indonesia adat law continues to be of great importance.

The international conference aims to provide an update and to look at the current legal, social and political meaning of adat law, the way it is being invoked and how it is deployed for a variety of purposes. The key question is what the relevance of adat law is in present-day Indonesia.

Read more about the progam

Date: 22 May 2017

Time: 13.30 – 18.00

Venue: National Museum of Ethnology, Steenstraat 1, Leiden

Registration required: adat.law.conference2017@gmail.com

Founded by KITLV/Adatrechtfonds, Leiden University (AMT, VVI) & LUF.

For more information visit http://www.kitlv.nl/conference-adat-law-100-year/

Graffiti

Event: Two films on transgender issues in Indonesia

07 February 2017

Film screening

The first screening of the ‘Framing Asia’ film series will focus on transgender issues in Indonesia. Two short films Renita, Renita and Accross Gender  will be followed by discussion with Intan Paramaditha, Indonesian author and lecturer in media and film studies and one of the filmmakers, Anouk Houtman.

Films

Renita, Renita (15min)

Tony Trimarsanto

Trapped in a male body, Renita wanted to be a doctor and a woman since she was a child but her parents forced her to study at a Islamic school where she was bullied and ostracized. She rebelled by becoming a prostitute in the hope of finding freedom but instead, found that it came at a cost — she experienced brutality and was discriminated against by her family and the Indonesian society in which she lived.

Across Gender (24min)

Anouk Houtman

What is it like being transgender in Yogyakarta? There is no single answer to this question. This film aims to show different ways of negotiating visibility in the Indonesian society when one ‘crosses gender’. The difficulty of this negotiation becomes apparent through the anti-LGBT sentiments and actions in early 2016.

Discussion

Anouk Houtman is a young filmmaker with an MA in Visual Anthropology of Leiden University. She graduated with a film and thesis researching the visibility of transgenders in Yogyakarta, Indonesia. Currently she is pursuing a second MA in Gender Studies and University Utrecht.

Intan Paramaditha is an Indonesian author and lecturer in media and film studies at Macquarie University, Sydney. Focusing on contemporary film practice in Indonesia, her research explores the relation between media, cultural activism, and sexual politics in the convergence and tension between national and cosmopolitan trajectories.

Time 19:30- hrs Venue Faculty of Humanities, Lipsius building, rom 028 Cleveringaplaats 1 Leiden Netherlands Google Maps

Source –http://iias.asia/event/two-films-transgender-issues-indonesia

Event: Women’s Resistance Through Arts and the Media in Indonesia – Intan Paramaditha

image

Praktisch: Free entrance
Doors open: 19:30
Met
Intan Paramaditha
Women’s Resistance Through Arts and the Media in Indonesia

The discourse of sexuality is inseparable from the tension and polarization that characterize politics and culture in Indonesia. Last year, after a series of anti-LGBT statements were publicly expressed by government officials and public figures, “pro-family” groups proposed to outlaw non-marital sex and homosexuality. This is not a sudden turn as debates around sex, bodies, and morality have been a national obsession for the past two decades. Sexuality is a contested sphere that reflects the fractured nature of the post-authoritarian nation.

Growing conservatism in Indonesia, as elsewhere, entails the attempts to regulate and censor women’s bodies. …

Source – http://intanparamaditha.org/event-womens-resistance-through-arts-and-the-media-in-indonesia/

Mau Dibawa Ke Mana Sinema Kita? : Beberapa Wacana Seputar Film Indonesia – Khoo Gaik Cheng & Thomas Barker (Penyunting)

Saya sering berkata “malas” untuk menonton film Indonesia. Bukan demi menunjukan sikap resistansi apapun. Tak ada pembenaran terkaitnya, karena mendukung perfilman Indonesia paling sederhana memang…

Mau Dibawa ke Mana Sinema Kita?

Mau Dibawa ke Mana Sinema Kita?

Source: Mau Dibawa Ke Mana Sinema Kita? : Beberapa Wacana Seputar Film Indonesia – Khoo Gaik Cheng & Thomas Barker (Penyunting)

Blue Mosque

Request

By Muhammad Yamin, 1921

Listening to the waves close to me
Pounding to the left and to the right
Chanting a song full of compassion
Awakened is a longing for the place of my birth.

In the East on my side
Shrouded in cloud-billowed skies
Appears the island full of marvels
That assuredly is the country of my birth.

Wherever the sea may pound and crash
And run seething up the sand
That is where my soul is, was first cast forth.

Wherever the waves may spraying writhe
Watering the isle of the Barisan Range along its coast
That is the place please, lay me to rest.

On the Indian Ocean, June 1921

 

padang

Padang city, West Sumatra


Request (Permintaan) was first published in Indonesian in the Dutch-language journal Jong Sumatra : organ van den Jong Sumatranen Bond, Batavia, June 1921. It was republished in Pane, Armijn (ed), Sandjak-Sandjak Muda Mr. Muhammad Yamin [The Young Poems of Mr. Muhammad Yamin], Firma Rada, Djakarta, 1954, p. 6.

Miners in the Ombilin Coal Mine at Sawahloento, Sumatra's West Coast, 1920

Homeland

By Muhammad Yamin, 1920

On the border, the Barisan Range,
I gaze out, look down and behold;
A vista of dense jungles and valleys;
And charming rice fields, winding rivers;
And then more, I see also,
The green canopy changes color
With forest crown, palm fronds;
That is the country, my homeland
Sumatra is its name, my beloved birth country.

As far as the eye can see, only forest,
Mountainous and hilly, nestling valleys;
Far in distance, way over there,
Bounded by mountains one by one
There is assuredly a heaven,
Without doubt a second paradise on earth
– A Malay Garden of Eden on top of the world!
That is the country I love,
Sumatra is its name, which I honor.

On the border, the Barisan Range,
Gazing down on beautiful beaches and bays;
A vista of water, endless water,
That is the sea, the Indian ocean.
Visible there are the waves, so many waves
Breaking onto the sand, then spreading out,
They thunder, as if to proclaim:
“Oh Andalas, island of Sumatra,
Make sweet the name, from north to south!”

Bogor, July 1920

Ngarai Sianok

Ngarai Sianok


Homeland (Tanah Air) was first published in Indonesian in the Dutch-language journal Jong Sumatra : organ van den Jong Sumatranen Bond, Batavia, 1920 No. 4. It was republished in Pane, Armijn (ed.), Sandjak-Sandjak Muda Mr. Muhammad Yamin [The Young Poems of Mr. Muhammad Yamin], Firma Rada, Djakarta, 1954, p. 5.

Language, Nation

By Muhammad Yamin, 1921

“What you have inherited from your fathers, earn over again for yourselves or it will not be yours.” Goethe

While still small and tender in years
The little child sleeps in her mother’s arms.
Her mother sings, soft songs and lullabies
Adoring the little one with endless praise;

Rocking lovingly night and day
Rocker hanging in the land of the ancestors.
Born in the country, with its own language

Surrounded by family right and left,
Raised in the customs of the Malay lands
With happiness, and also sadness;
Feelings of union coming together,
In her language, sweet the sound.

Weep and shed tears of great joy
With gladness in adversity and danger;
You and I breathe the incarnation of our life
In the language the extension of our soul,
Wherever Sumatra is, there is the nation,
Wherever the Patchwork cloth is, there is our language.

My beloved Andalas, vase-shaped island,
Since a small young child,
Until death and laid to rest in the earth
Forget our language, we shall never,
Remember young people, oh unhappy Sumatra
Lose our language, and the nation too is lost.

February 1921


First published in Indonesian in the Dutch language journal Jong Sumatra : organ van den Jong Sumatranen Bond, Batavia, February 1921 via Sandjak-sandjak Muda Mr. Muhammad Yamin [The Young Poems of Mr. Muhammad Yamin]  Firma Rada, Djakarta 1954, p. 9 and republished in Jassin, H. B.  Pujangga baru : prosa dan puisi / dikumpulkan dengan disertai kata pengantar oleh H.B. Jassin  [Pujangga Baru : prose and poetry / collected and accompanied by an introduction by H.B. Jassin] Haji Masagung, Jakarta,  1987, p. 322.