Tag Archives: Gender Studies

Poem of a Young Woman and Her Boss By WS Rendra

Poem of a Young Woman and Her Boss

By WS Rendra

Do not just grab me any way you feel like it.
It’s pretty clear to me where this is going.
I am no seer,
but I can obviously already see
what this hug means…

Fuck the education I got.
I was taught maths, typing, foreign language, deportment, and administration,
But they forgot to teach me:
If I’m grabbed from behind by the boss,
how should I react then!

Do not grab me any way you feel like it.
Not even my boyfriend dares to be as bold as that.
I can pretty clearly see what your goal is, mister.
When you elbow my tits,
I know what that means……

They taught me to hate sin
but they forgot to teach me
how to find work.
They taught me a lifestyle
whose products do not come from nature.
Taught me to need things that are produced by the bosses,
and controlled by the bosses.
Make-up accessories, air conditioners, synthetic vitamins, tonics, every kind of soda, and school certificates.
Education tided me to their markets, and to their capital.

And now, now that I’m an adult,
where else am I going to run to,
if not to the world of the bosses?

Do not grab me, mister, any way you feel like it.
I’m no academic
but I pretty much know
that all the work on my desk
is going to head in that direction.
Don’t, mister, don’t!
Do not grab me any way you feel like it.
Ah. Oh no.
The money you’re sliding inside my bra, mister,
is my education certificate.
Ah. Yes.
That’s how it is.
You grab me so confidently, mister.
Your fat belly
is pressing against my stomach.
Your fowl mouth
is kissing my mouth.
You do all of this
like it’s all normal, mister.
Every person in the community is helping you.
They grab both my legs.
And they force my thighs open
as you climb on top of my body, mister.

Yogya, 10 July 1975


Poem of a Young Woman and Her Boss (Sajak Gadis dan Majikan), State of Emergency, W.S. Rendra, Wild & Woolley, Glebe, 1978, p. 30.

 

Short Story: The Clown with the One-Legged Man By Ratna Indraswari Ibrahim

The Clown with the One-Legged Man

By Ratna Indraswari Ibrahim

Tom, you do still remember, don’t you, when Mr Clown’s mother passed away (the clown we’ve loved since we were children), how throngs of people arrived to pay their respects. We were just ten years old at the time.

I came across Mr Clown in a corner of the house anxiously wiping away his tears. Truly those tears were like fragrant jasmine blossoms falling one by one!

I was transfixed!

After that event (which has always been an obsession of mine), many years later I bumped into Mr Clown again quite by accident on the journey coming home to Malang from Jakarta by train. We sat next to each other. Straight away he knew who I was.

Mr Clown smiled at me. (…continue reading here.)

 


The Clown with the One-Legged Man by Ratna Indraswari Ibrahim was retrieved from Klown dengan Lelaki Berkaki Satu.

Featured image credit: Ludruk Karya Budaya, Mojokerto, by Ulet Ifansasti https://www.instagram.com/p/BtLgEDTBlux/ and  https://www.uletifansasti.com/transgendersoperaludruk

Haters

Haters

By Kotak

Hey, my hater, don’t hate me
You’ll just hurt yourself
Hey, my hater, don’t spy on me
You’ll just be disappointed

I’m having a good time, enjoying my life
Why are you the one who ends up
Hurting, disturbed
Because of me?

You claim to be happy
But in reality, you’ve got problems
Problems seeing, seeing
That I’m happy.. that’s your tough luck.

Hey, my hater, don’t hate me
You’re just wasting your energy
Hey, my hater, the more you hate me
The sadder your life becomes

I’m having a good time, enjoying my life
Why are you the one who ends up
Suffering, disturbed
Because of me?

You claim to be happy
But the reality is, you’ve got problems
Problems seeing, seeing
That I’m happy.. that’s your tough luck.

What’s wrong, see, you want your life to be difficult
Always finding fault, so you can criticize
I’m over it, wow, friends even, what’s the point?
What there is, is you’re disappointed, when I’m having fun
Criticize here, criticize there, you don’t like anything
You don’t even provide, but you’re the one who gets mad
Me, well, I don’t have a problem, but you get stressed
Always wrong, better if I just party
You hate, but I get motivated
For me it’s better, you though, are getting angrier
We’ve stopped being friends, we’re, true, not enemies?
Pull your life together, don’t throw everything away

You claim to be happy
But the reality is you’ve got problems
Problems seeing, seeing
That I’m happy, ohhh..

Claiming to be happy
But the reality is you’ve got problems
problems seeing, seeing
That I’m happy, that’s your tough luck

The Next Sunset

The Next Sunset

By Tintajemari

i console my sadness at sunset that is so fleeting
when night falls let my longing stay strong
till the next sunset when our meeting begets gazes
And that if God still takes pity
and eases my worry that’s reached the point of exhaustion.

 


Source: Aku Menulis Lagi blog, Featured image from InfoAstronomy.org

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https://www.instagram.com/tintajemari/

Event: Two films on transgender issues in Indonesia

Renita Renita
Renita Renita

07 February 2017

Film screening

The first screening of the ‘Framing Asia’ film series will focus on transgender issues in Indonesia. Two short films Renita, Renita and Accross Gender  will be followed by discussion with Intan Paramaditha, Indonesian author and lecturer in media and film studies and one of the filmmakers, Anouk Houtman.

Films

Renita, Renita (15min)

Tony Trimarsanto

Trapped in a male body, Renita wanted to be a doctor and a woman since she was a child but her parents forced her to study at a Islamic school where she was bullied and ostracized. She rebelled by becoming a prostitute in the hope of finding freedom but instead, found that it came at a cost — she experienced brutality and was discriminated against by her family and the Indonesian society in which she lived.

Across Gender (24min)

Anouk Houtman

What is it like being transgender in Yogyakarta? There is no single answer to this question. This film aims to show different ways of negotiating visibility in the Indonesian society when one ‘crosses gender’. The difficulty of this negotiation becomes apparent through the anti-LGBT sentiments and actions in early 2016.

Discussion

Anouk Houtman is a young filmmaker with an MA in Visual Anthropology of Leiden University. She graduated with a film and thesis researching the visibility of transgenders in Yogyakarta, Indonesia. Currently she is pursuing a second MA in Gender Studies and University Utrecht.

Intan Paramaditha is an Indonesian author and lecturer in media and film studies at Macquarie University, Sydney. Focusing on contemporary film practice in Indonesia, her research explores the relation between media, cultural activism, and sexual politics in the convergence and tension between national and cosmopolitan trajectories.

Time 19:30- hrs Venue Faculty of Humanities, Lipsius building, rom 028 Cleveringaplaats 1 Leiden Netherlands Google Maps

Source –http://iias.asia/event/two-films-transgender-issues-indonesia