Asimetris

Poem for a Bottle of Beer

By W.S. Rendra

Downing a whole bottle of beer,
I stare at the world,
and what I see is people starving.
I light some incense,
breath in the earth,
and listen to the thunder of the rioters.

The cost of hitting the town for one night,
is equivalent to the cost of developing ten villages!
What the hell kind of civilization have we created?

Why do we build huge cities,
and ignore the culture of the villages?
Why does development lead to hoarding,
rather than distribution?

Huge cities here don’t grow from industry.
They grow from the needs of foreign industrial countries
for markets and their need to buy natural resources.
Large cities here
are a means for Europe, Japan, China, America,
Australia and other industrial countries to accumulate.

Where are the old back roads?
The ones which connected villages with other villages?
They’re now abandoned.
They’re now ditches or potholes.

The roads today
represent the colonizer’s planning of years ago.
They’re just a means of distributing foreign goods from
the ports to regional centers, and natural resources from regional centers to the ports. Roads are created specifically for,
not the farmers,
but the middlemen and the Chinese businessmen.

Now we’re swept away in a stream of civilization that we don’t control.
Where we can’t do anything except shit and eat,
without the power to create anything.
Are we going to just stop here like this?

Do all countries that want to advance have to become industrial countries?
Do we dream of having endless factories,
which ceaselessly produce –
have to forever just produce things –
and finally force other countries
to become markets for our products?

Is the only option apart from industry just tourism?
Does our economic thinking
suck only on the breast milk of communism and capitalism?
Why is our own environment not considered?
Will we just be swept away
in the power of accumulating things
which spread pollution and degradation
of nature both without and nature within people themselves?

We have been taken over by one dream
to become someone else.
We have become foreign
in the land of our own ancestors.
Villagers are skittish, chasing the dream,
and enslaving themselves to Jakarta.
The people of Jakarta are skittish, chasing the dream
and enslaving themselves to Japan, Europe or America.

Pejambon, June 23, 1977

 


Poem for a Bottle of Beer (Sajak Sebotol Bir) was published in State of Emergency, W.S. Rendra, Wild & Woolley, Glebe, 1978, p. 62.

Featured image: ASIMETRIS (full movie)

Advertisements
Waterval met roofvogel

Poem for the Condors

By W.S. Rendra

A mountain breeze sweeps down, creeps through the forest,
then blows across the surface of a vast river,
coming to rest finally among the tobacco leaves.
Then its heart is filled with compassion
On seeing the sad fate of the peasant workers
Planted in soil that is so rich, so fertile,
But which provides no prosperity for its people.

The peasant workers,
Living in windowless shacks,
Plant seedlings in the fertile soil,
Reap abundant rich harvests
While their own lives are full of misery.

They harvest for rich landlords
Who own beautiful palaces.
Their sweat turns into gold
That is collected by the fat owners of cigar
factories in Europe.
And when they demand income equality,
The economists adjust their ties nervously,
and respond by dispatching condoms.

Suffering overflows
from the trenches lining the faces of my people.
From dawn till dusk,
the bedraggled people of my country trudge, striving,
turning to the left, turning to right,
in an effort that is uncertain.
At sundown they turn into a pile of garbage,
and at night they are sprawled across the floor,
and their souls are transformed into condors.

Thousands of condors,
millions of condors,
flocking toward the high mountains,
and there gain respite from the loneliness.
Because only the loneliness
Is able to suck out the revenge and the pain.

The condors screech.
In anger they scream out,
Sound out in places that are lonely.

The condors scream
On the mountain crags they call out
Sound out in places that are lonely

By the millions the condors scratch at the rocks,
Snap at the stones, peck at the air,
and in the cities there are those who prepare to
shoot them.


Poem for the Condors (Sajak Burung-Burung Kondor) was published in State of Emergency, W.S. Rendra, Wild & Woolley, Glebe, 1978, p. 58.

Featured image: [De Rivier] Waterval met roofvogel

Batik maker

Mother Indonesia

By Sukmawati Soekarno Putri

Although I am no expert in the law of Islam
What I do know is the chignon of mother Indonesia is most beautiful

More elegant than your chador
So perfectly folded is the hair
As perfect as the fabric that enfolds your form

Her endlessly diverse creative senses
Fuse with the essence of the world around
Fingers with the scent of forest resin
Perspiration touched by sea breezes

Look, mother Indonesia
As your appearance grows more alien
So you can remember
The natural beauty of your nation
If you wish to become beautiful, healthy, virtuous and creative

Welcome to my world, this earth of mother Indonesia

Although I am no expert in the law of Islam
What I do know is the sound of the lullaby of mother Indonesia is most beautiful

More melodious than your lilting call to prayer
The gracious movements of her dance is holy service
As pure as the rhythm of divine worship

The breath of her prayer combines with creation
Strand by strand the yarn is woven
Drip by drip the soft wax flows
The wax pen etching holy verses of the heavenly realm

Behold, mother Indonesia
As your sight grows dim,
So you can understand the true beauty of your nation

For ages past, the story of this civilized nation has been love and respect for mother Indonesia and her people.


Small amount of background:  Islamic groups report Indonesian politician for reciting ‘blasphemous’ poem   Former Indonesian president’s daughter sorry after blasphemy outrage over poem   Sambil Menangis, Sukmawati Soekarnoputri Minta Maaf.

Wikibackground on the author

Featured image: Batik maker applying melted wax to fabric, Sultan’s Palace (Kraton), Yogyakarta by Rahiman Madli

Novel Baswedan

To Be Empty Is To Be Empowered Fully – Lotus Poems

By W.S. Rendra

Habit is not character
Character is not a fantasy
About ourselves.
Character comes from being empty.
If empty
we are agile and alert.
In emptiness
We can respond to all things,
According to the situation,
And not according to habit.
Those who are full are rigid and slow –
Often even powerless.
The empty are actually the fully empowered.


WS Rendra, Empty is Fully Empowered (Kosong Itu Penuh Daya) Lotus Poems (Syair Teratai), Sinar Harapan Daily, 19 April 1975 (Sourced from Armin Bell, Kumpulan Fiksi Blog)

Novel Baswedan

Indonesian Corruption Eradication Commission (KPK) investigator Novel Baswedan, center, who was injured in an acid attack by unidentified assailants, sits in a wheelchair as he leaves the general hospital where he was initially treated in Jakarta, Indonesia, Tuesday, April 11, 2017. (AP Photo/Achmad Ibrahim) (Time.com) Novel was subsequently treated in Singapore for 10 months, before returning to work in Jakarta in early 2018.

For background to Mr. Novel Baswedan see ‘I Don’t Want to Be Sad’: Indonesia’s Top Graft Buster Talks to TIME From His Hospital Bed and Pak Jokowi, Bentuk Tim Independen untuk Ungkap Kasus Novel!

Maria Ullfah

Maria Ullfah, Mother of Indonesia’s National Women’s Day – @PotretLawas

Dutch East Indies Students in Holland, 1932. Maria Ullfah (right) would go on to become the first woman bachelor of laws from the Dutch East Indies.

Dutch East Indies Students in Holland, 1932. Maria Ullfah (right) would go on to become the first woman Bachelor of Laws from the Dutch East Indies. (Source: @Potretlawas)

Maria Ullfah was the daughter of Kuningan regent R.A.A. Mohammad Achmad. Maria entered the Faculty of Law at the University of Leiden in 1929 and graduated in 1933.

A friend from the same faculty and boarding house, Siti Soendari (left), who was also the sister of Dr. Soetomo, followed by taking a Bachelor of Laws the following year. On her return to the Dutch East Indies, Maria Ullfah worked in the office of the Cirebon regency government, however, this was only to last several months because she chose to study German and government at the Muhammadiyah school in Batavia. It was probably here that Maria Ullfah’s involvement in the nationalist movement began.

The causes which Maria championed included a fair marriage law, which she proposed at the Third Women’s Congress. Maria then became the head of the Agency for the Protection of Indonesian Women in Marriage. Her goal was a marriage law which was based on the principle of equity of rights and responsibilities between men and women.

22 December was declared Women’s Day at the Third Women’s Congress which was held in Bandung from 23 to 27 July 1938. Women’s Day in 1953 was a gala celebration as it was the twenty-fifth anniversary of the first Women’s Congress. However, as a national day Women’s Day was not made a public holiday until 1959 with the release of Presidential Decree No. 316/1959.

Some of Maria Ullfah’s other important roles included the inclusion of human rights articles in the 1945 Constitution as it was being drafted by the Body Investigating Steps for Preparedness for Indonesian Independence (BPUPKI). Maria was one of its members. It was Maria who strongly protested when the early draft made no mention of human rights. Drs. Mohammad Hatta played the same role.

After independence, Maria Ullfah became Minister of Social Affairs in the Second Sjahrir Cabinet in 1946. It was under her stewardship that the Office of Workers’ Affairs was born which was the forerunner of today’s Ministry of Labor (@KemnakerRI). She was part of the fight for workers’ rights through her drafting of the social affairs law which aimed to improve the conditions of workers. This draft became law in 1948.

So it was that after this long record of nationalist struggle in 1959 Maria Ullfah proposed that Women’s Day on 22 December be made a national day. At the time Maria was Director of the Prime Minister’s Cabinet office during the administration of Prime Minister Juanda.

Her dream was simple, that women would always be aware of their responsibilities as mothers of the nation.

Hari Ibu, 1939 (Source: @Potretlawas)

Hari Ibu, 1939 (Source: @Potretlawas)


Source: Various tweets from @potretlawas.

Note: Hari Ibu is usually rendered “Mother’s Day”.

Asimetris

“Asymmetric” (Asimetris) – WatchDoc Image Documentaries Trailer

This is the trailer for “Asymmetric” (Asimetris), the ninth documentary film in the ground-breaking Blue Indonesia Expedition series (Ekspedisi Indonesia Biru) on contemporary Indonesia following the acclaimed documentaries:

1. Samin vs Semen
2. Kala Benoa
3. The Mahuzes
4. Baduy
5. Kasepuhan Ciptagelar
6. Lewa di Lembata
7. Huhate
8. Gorontalo Baik

The whole film will be uploaded this coming March.

Source: WatchDoc Image Documentaries


The full movie is now available here.

Ahok

Poem for Mother

By W.S. Rendra

To recall mother
Is to recall dessert,
Wife is the sustaining main
Girlfriend the side dishes,
And mother
The perfect final,
In the great communal feast of life.

Her countenance is the sky at sunset:
The grandeur of the day that has completed its work.
Her voice the echo
Of the whisper of my conscience.

Remembering mother
I look on the promise of the best in life.
Hearing her voice,
I believe in the good in the human heart.
Looking at mother’s photograph,
I inherit the essence of the creation of the world.

Talking with you, my brothers and sisters,
I remember that you too have mothers.
I shake your hands,
I embrace you in fraternity.
We don’t wish to offend each other,
So we do not insult each other’s mother,
Who always, like the earth, water and sky,
Defends us without affectation.

Thieves have mothers. Murderers have mothers.
Just as corruptors, tyrants, fascists, journalists on the take and members of parliament for sale,
They too also have mothers.

What sort of mothers are their mothers?
Aren’t their mothers the dove soaring in the sky of the soul?
Aren’t their mothers the gateway to the universe?

Would a child say to his mother:
“Mother, I’ve become the lap dog of foreign capital,
Who makes goods which don’t do anything to reduce the people’s poverty,
Then I bought a government mountain real cheap,
While the number of landless villagers goes through the roof.
Now I’m rich.
And then, mother, I also bought you a mountain too,
To be your resting place one day.”

No. This is not something a child would say to his mother.
But how then will a child explain to his mother his position as tyrant, corruptor, forest scourge and mouse plague overrunning rice fields?
Will the tyrant declare himself leader of the revolution?
Will the corruptor and lap dog of foreign capital announce that he’s the hero of development?
And will the forest scourge and rice field mouse plague label himself the ideal farmer?

But, then, what of the beaming gaze of his mother?
Is it possible for a mother to say:
“Child, don’t forget to take your jacket.
Remember to wrap up against the night air.
A journalist needs to stay healthy.
Oh, yeah, and if any fat envelops come your way,
Just pick me up some fried prawns.”

Mother, now I really understand your value.
You are the statue of my life,
Not a fake statue or a white elephant like Monas and Mini Indonesia Park.
You are the anthem Great Indonesia.
You are the rain I watched in the village.
You are the forest encircling the lake.
You are the lotus flower of meditation’s peace.
You are the song of the simple people.
You are the arrow of my conscience in all I do.

Pejambon, Jakarta
23 October, 1977


Poem for Mother (Sajak Ibunda) was published in State of Emergency, W.S. Rendra, Wild & Woolley, Glebe, 1978, p. 52.

Catatan Najwa Untuk Sumpah Pemudah

Ain’t No Night Fair #6

Ain’t No Night Fair

By Pramoedya Ananta Toer

Chapter 3

We left before dawn to make our way to the station. We queued to buy tickets. The train traveled along the coast, skirting the Java Sea. Sometimes the train would race cars and we watched the sight anxiously. The dust thrown up by cars – dust mixed with every kind of horse dung, human excrement, human snot and spit – billowed up and came to rest on our skin. Sometimes we caught sight of children cheering as they held out hats begging. And this situation had persisted from the time the railway line was opened and trains raged along its rails. Whenever anyone threw food scraps, the children would scramble against each other. But it isn’t so important for me to relate this.

The train went on and on, and when it reached the town of Rembang began to turn southward traveling through teak forests and rice fields. The closer we got to the town of my birth, the more vivid became the images in my mind of its narrow lanes, of its people living in poverty and, of my father. From time to time deer could be seen darting frightened by the hiss of the train, running into the undergrowth with forelegs and hind legs almost crossing over and tight stomachs appearing to almost float up.

The conductor checking our tickets was still the same conductor who had been there when I was young and would often travel to Rembang to visit the beach when the holidays finally arrived. But the conductor was now old and no longer recognized me. He paid no attention to the people on the train, interested only in their tickets.

I glanced over at my wife and said, “Look, the forest is so beautiful.”

Quietly my wife popped her head out the window, then she pulled her head in again and nestled into the corner of the carriage seat.

I gazed at the beauty of the forest. I had gone into that forest once long ago, before at a time when as a scout we had visited the grave of Raden Ajeng Kartini. Her grave was not far from our train then. Suddenly a canyon unfurled before my eyes and I called spontaneously.

“Look at the canyon! It’s so deep!”

I looked at my wife. She lifted her eyelids, and then lowering them again slowly she closed her eyes once more.

I sighed.

I wanted to show off the beauty of my own area, with its canyons and forests, deer and monkeys. Yes, I wanted to do that so much.

Our train passed through stations and stops which were now no more than solitary platforms, passed lime kilns and piles of teak logs, and it all brought memories back to me of my childhood when we would often go on trips by bicycle in and out of the forest. Yes, what a wonderful childhood it had been, which was now past. Now my memories sang sweetly of its beauty.

As the train entered the outskirts of the town of Blora, I noticed open blocks of land. Land where once buildings had stood, and suddenly it dawned on me. These buildings had been flattened by the war. Desperate to know what had happened, I put my head out the window.

Cepu Destruction 10 January 1949 by J. Zijlstra

Then all at once I said, “I hope the telegram did get there. And hopefully someone will be there to meet us at the station.”

My wife opened her eyes, and as our eyes met I said, “We’re here at Blora now.”

She tidied herself, and I did likewise, then the train came to a halt at Blora station. Once more I poked my head out the window, but my eyes were not able to catch sight of the person I had hoped would come to meet us. So it was true, the telegram hadn’t made it.

We carried our things. Then, traveling gently just as it had once before long ago, the horse and buggy carried us to the house I had left all this time. The driver constantly nudged his horse with whip and commands only out of habit. Many of the buildings along the road were destroyed. The Post and Telegraph office which had been the pride of the residents of the small town of Blora was now no more than a crumpled stack of concrete pillars. I drew in a long breath. The statue celebrating the fortieth anniversary of the reign of Queen Wilhelmina was still standing, though its former glory was gone and it was now painted a pale red.

And I did not understand why. Maybe a red militia had painted it when they occupied our town.

Thus when our buggy drew up in front of the house I had left behind so long ago, my young brothers and sisters yelled excitedly, “Big brother’s here! Big brother’s here!”

But they did not want to approach. In fact those who weren’t adults distanced themselves. Possibly their shyness was due to the fact I was now married, and that my wife was now standing beside me. I didn’t really know. Only the brothers and sisters who were now grown up came to help us carry our bags.

When I went into the house, I bumped my head on the roof beam, and it made me think. I had grown taller now. When I had left this house, the roof beams had still been far above my head.

Cepu Destruction 10 January 1949


Source: Ain’t No Night Fair (Bukan Pasarmalam) by Pramoedya Ananta Toer, Dinas Penerbitan Balai Pustaka, Jakarta, 1959.

National Library Photo Collection of the work of J. Zijlstra

Cover photo credit Mata Najwa

Najwa Shihab of MetroTV's Mata Najwa Globe Asia Cover "99 Most Powerful Women"

Ain’t No Night Fair #5

Ain’t No Night Fair

By Pramoedya Ananta Toer

Chapter 2 (continued)

… Suddenly those thoughts died as my eyes fell on one small hamlet in the middle of rice fields surrounded by bamboo thickets and trees. I knew the conditions in this hamlet all too well. At that time, the hamlet had been under the control of a gang of outlaws. Once with my platoon I had been on patrol there and made a detailed report. The report would now be lying buried in some cupboard. I had become acquainted with one very attractive woman in particular. As the hamlet was owned by a large landowner, the thought occurred to me that the woman would have to have been mixed race. But that didn’t matter and her father had made me an offer, “If you marry my daughter, I will no longer need to work. There’s a sizeable amount of land here and you can take half of my fields.” I was completely intoxicated by the offer as I listened. At the time, poverty always circled in the sky ready to swoop down on your head. Yes, the thought of the offer made me smile at the time. But the patrol was to last no more than a day and a night and before long our platoon made its return to base.

I did return to the place later though, but the beautiful woman had been kidnapped by the gang of bandits. I would return home again filled with regret, but happy also that I had not sold myself out. Nevertheless, the beauty of the woman and her fate would continue to haunt my thoughts.

Then in my heart I told myself a story which went like this.

“The woman was now living contentedly with the bandits who had kidnapped her. She would by now have given birth to two young children and her body was adorned with silk and gold and diamond-studded jewelry.”

The train thundered on at high speed. The hamlet too vanished, from my view, and from my memory.

I coughed.

“You are too close to the window,” said my wife.

Dutch war train

We changed places. I drew the collar of my coat up tightly around my neck then I leaned back against the seat and closed my eyes. I dropped off to sleep, but my sleep was not to be secure as the train was beginning to fill with new passengers. Then I drifted back to sleep once more. Arriving in the district that had only recently been cleared of the threat and terror presented by the Darul Islam movement, we could see damaged telegraph wires, tangled and twisted around their poles which were lying bent, strewn on the ground.

“Well, not a chance the telegram has arrived there,” I said.

“No, the telegram couldn’t possibly have arrived,” my wife echoed. The train roared on, and on. And on, all the way to Semarang.

We slept the night at a hotel and although the hotel was grubby, we were nevertheless able to sleep soundly.

Dutch patrol at Semarang, Java, 23 July 1947

(Continued)

 


Source: Ain’t No Night Fair (Bukan Pasarmalam) by Pramoedya Ananta Toer, Dinas Penerbitan Balai Pustaka, Jakarta, 1959.

National Archive Photo Collection

Mata Najwa Globe Asia Cover Photo Credit

Mata Najwa "Generasi Antikorupsi #KitaKPK"

Ain’t No Night Fair #4

Ain’t No Night Fair

By Pramoedya Ananta Toer

Chapter 2 (continued)

… My memory circled back again, the sheep transformed into a person, and that person was my father.

I sighed.

I could feel a shudder in my chest and I moaned.

“What’s wrong?” my wife asked.

“I might be coming down with a cold,” I answered.

“Put on your coat.”

I slipped on the coat I had taken off previously after putting up our suitcases at Gambir station. After that effort I had felt very hot and the feeling of having a temperature added to the pressure of the fear that we wouldn’t get a place to sit.

I fastened the buttons.

“You catch colds quite easily,” my wife added.

Coldly I didn’t respond to her reminder.

Now in my mind there appeared the sight of a grave, the final resting place of every person, despite certain people sometimes not finding a place in the womb of the earth. Yes, sometimes sailors, or soldiers in times of war, often they do not find a final resting place. And in my mind I imagined that it was my father who did not find a place.

I shuddered.

My eyes misted. But not enough for tears to fall.

“Ah, I do not want to listen to every thought in my head,” I screamed to myself.

And I thought. If only I could win the lottery. What a sweet dream that was. And that dream was ended by an old idea, the idea that at the end of the day every person passes away. Death. Sickness. And sickness brought my thoughts back to my father.

Once more I sighed.

“Hopefully your uncle should have waited before writing that letter,” my wife said. “Hopefully your father’s condition isn’t as bad as he described.”

Again I looked her straight in the eye. They were eyes that were now no longer of any interest to me. This time she lowered her head and rearranged her hair which was moved by the wind.

“Hopefully,” I said.

I turned yet again to stare out the train window. Rubber plantations chased each other. Small towns which I had often passed before I was once more going through again. And dozens of memories, some of which were bitter and some of which were happy, with a force I could not control assaulted my mind. And at that moment I became conscious. Sometimes people do not have the power to resist their own memories, and I smiled at this consciousness. Yes, people unknowingly are too strong and repress their awareness. I smiled again.

“What time is it, brother?” my wife asked.

I swung my eyes in her direction and again my gaze landed on her eyes, those once wonderful eyes that now held no interest for me. Just for a moment. Then I dropped my eyes to my watch.

“It’s almost nine o’clock,” I answered.

“Maybe he’s already received the telegram.”

“Hopefully he has,” I said.

And I swung my gaze to stare out the window again. The telegram now appeared in my mind. Just maybe the telegram which had said “Tomorrow arriving with my wife” would be of some comfort to my father. In fact this hope had not even been my own.

The previous night a friend had said, “You’ve been in prison so long. Two and a half years! And all that time your father was definitely wanting you to come home. And not only that. He was definitely worrying about how you were too.” And that is what had made me send him, I mean, have somebody else send him, the telegram. That friend had also said, “You have to go. Maybe you visiting him will make him feel better, help him recover.”

(Continued)

1940s Netherlands Indies Government Lottery Semarang

1940s Netherlands Indies Government Lottery, Gang Pinggir, Semarang (Source: http://reklamejadoel.blogspot.com.au)


Source: Ain’t No Night Fair (Bukan Pasarmalam) by Pramoedya Ananta Toer, Dinas Penerbitan Balai Pustaka, Jakarta, 1959.

National Archive Photo Collection

Mata Najwa Generasi Antikorupsi #KitaKPK Photo Credit

Jihat Anti-korupsi Mata Najwa

Ain’t No Night Fair #3

Ain’t No Night Fair

By Pramoedya Ananta Toer

Chapter 2 (continued)

… I swung my head, and my eyes too, from her stare and gazed out the train window again.

We were at Lemah Abang now.

All at once an old memory shimmered into my mind. Before, four years ago. Completely out of the blue, the Dutch had rained shells on our defenses from three directions using between eight and ten Howitzers. The number could be worked out by the fighters who had previously been soldiers in the Netherlands East Indies artillery. The people had panicked and run out in the direction of the rice fields. I still remember the time. I cupped my two hands and shouted, “Don’t run! Get on the ground!” But there were too many of them, and they were too confused, too frightened, and they were incapable of hearing my voice. And when I fell to the ground behind a large tree I was able to see one, then two, three, four, five artillery shells explode among the mass of scattering people. Bodies. Corpses. And my mind ran through the blood, injuries, bodies, to the letter, my uncle, and finally, to my father.

I sighed. My heart ached. I was indeed sensitive. And my family was full of sensitive creatures.

I closed my eyes tightly so I couldn’t see the scene around Lemah Abang. But the remnants of those memories would not leave my mind. The extraordinary achievement of the Dutch shooting, four sheep killed in front of their pen. And this is what was so upsetting: one old sheep, pregnant, eyes gazing into the sky, head resting on the rail of a pen post, with its two hind legs kneeling and its forelegs standing up straight. And the sheep was dead. I rocked the body of the sheep slightly and it tottered to the ground. It didn’t move. Really, it was dead. A friend suggested, “Let’s just cut it up.” I stared at its eyes which were open and pallid. I could feel a shiver run down my spine, and I ran all the way home. It was three days before I could get the vision of the sheep gazing into the sky out of my head. The sheep! My memory circled back again, the sheep transformed into a person, and that person was my father.

I sighed.

(Continued)

Karawang sector, 23 July 1947

Karawang sector, 23 July 1947. A convoy of the Dutch 7th December Division in the town Cikarang on route Karawang. http://www.gahetna.nl


Source: Ain’t No Night Fair (Bukan Pasarmalam) by Pramoedya Ananta Toer, Dinas Penerbitan Balai Pustaka, Jakarta, 1959.

National Archive Photo Collection

Anti-corruption Jihad photo credit