Salawaku

Salawaku Trailer – MIFF

 

The remote wilderness of Indonesia’s Maluku Islands provides a magnificent backdrop for this gentle journey of youthful discovery.

In a secluded village in Indonesia’s beautiful Maluku Islands, ten-year-old Salawaku’s older sister has gone. Salawaku takes it upon himself to find her and sets off on a grand journey into the wild heart of his country. Joined in his travels by the son of the village chief and a tourist from Jakarta carrying her own heavy burden, Salawaku will learn to see his sister in a new light after discovering that the world of adults is more complicated than it seems.

From rising star of Indonesian cinema Pritagita Arianegara comes Salawaku, an eye-opening and heart-stirring road movie set in a stretch of the world where roads barely exist. Nominated for eight awards at the Indonesian Film Festival, including Best Film and Best Director, it is a film of surprises and wonder, where difficult secrets and glorious landscapes combine into a tender and morally complex whole.

CLASSROOM DISCUSSION POINTS
Double standards for men and women in different cultures, attitudes towards sex and family, how romance is depicted in cinema, the divide between the country lifestyle and the city lifestyle, knowing how to behave ethically.

MIFF recommends this film as suitable for ages 10+
Very mild themes about unwanted pregnancy and abortion, all of which is mostly indirectly implied through dialogue, and none on which is shown. Some very mild impact scenes depicting characters being pushed around and slapped. One scene where adult characters get drunk.

Source: Melbourne International Film Festival

 

EFEK RUMAH KACA Tiba-Tiba Suddenly konser Again

Kilometer 95

IMG20170726215048

Hanya berselang beberapa jam saja setelah pesawat Saya landing di Jakarta senin pagi, sambil menunggu bagasi, iseng-iseng Saya cek akun Instagram Saya. Akun @sebelahmata_erk yang merupakan official account band pop minimalis Jakarta, Efek Rumah Kaca men-Share postingan kalau mereka akan mengadakan konser dadakan pada hari rabunya. Konser dengan tajuk “Tiba-tiba Suddenly Konser Again” ini diselenggarakan di ballroom kuningan City. Menggelar konser dadakan bukan hal yang baru untuk Efek Rumah Kaca. Ini adalah kedua kalinya mereka menggelar konser dadakan. Akhir tahun lalu mereka juga menggelar konser dadakan yang berlokasi di Ruru Radio, Gudang Sarinah, Pancoran. Dan kabarnya tiket konser pada waktu itu yang hanya diinfokan beberapa jam menjelang konser terjual habis. Tidak mengherankan sebenarnya, Kesempatan menonton Efek rumah kaca memang menjadi sesuatu yang langka beberapa tahun belakangan karena Cholil, sang vokalis sedang tinggal di Amerika untuk beberapa tahun kedepan. Makanya Kepulangan Cholil ke Indonesia selalu ditunggu para penggemarnya.

Keinginan untuk menonton…

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Indian Troops in Bekasi 1945

Two Poems For B. Resobowo

By Chairil Anwar

I

Is this journey far?
Just the twinkle of an eye! – How could it be any longer!
Then what?
Of the falling leaves you ask for yourself,
And of the soft sound which becomes a melody!

Does it remain only as a memento?
Look at the woman no longer gazing upward
Nor wistful, the stars have vanished!

So how long is this journey?
Could be a century… oh just the blink of an eye!
A journey for what?
Ask my childhood home which is mute!
My ancestors frozen there!

Is someone touching me to follow?
Is someone lost?
Ah, answer for yourself! – I am still
Homeless and lost………

 

Heaven

By Chairil Answar

Just as my mother and my grandmother too
And as seven generations before
I too ask to be allowed into heaven
which say Masyumi and Muhammadiyah flows with rivers of milk
and is full of beautiful maidens
But there’s a voice inside me weighing this up,
which dares to scoff: Can heaven really be
barren of the waters of the blue oceans,
of the soft touch of every harbor how come?
And also who can say for sure
there definitely awaits beautiful maidens
sounds like they have trouble swallowing like Nina, have Jati’s wry glance?

Malang, 28/2-’47


Published in Pantja Raja, p. 338.

Photo: Indian troops with four armed Indonesians captured at Bekassi before the village was burnt as a reprisal for the murder of five members of the Royal Air Force and twenty Maharatta riflemen whose Dakota transport aircraft crash landed near the village.

http://www.iwm.org.uk/collections/item/object/205208517

Sejarah Kerajaan Negeri Patani

Malay manuscripts from Patani – The British Library – Asian and Africa studies blog

Patani is a culturally Malay-Muslim region located on the northeast coast of the Malay peninsula, in the southern part of Thailand. It has long been renowned as a cradle of Malay art and culture, and especially as a centre for Islamic learning, with close links with the Holy Cities of Arabia. Patani has produced many notable Islamic scholars, the most prominent being Daud bin Abdullah al-Patani (1769-1847), who lived and wrote in Mecca in the first half of the 19th century. scholars, and Wan Ahmad al-Patani (1856-1908), the first Superintendent of the Malay press in Mecca. Patani is one of the great centres of the Malay manuscript tradition, and many manuscripts from Patani are now held in the National Library of Malaysia and the Islamic Arts Museum Malaysia in Kuala Lumpur.

Map of the province of Pattani
Map of the province of Pattani (Bangkok: Royal Survey Department, 1907). British Library, Maps 60120. (2.)

From the 14th century onwards, throughout Southeast Asia the Malay language was written in an extended version of the Arabic script known as Jawi. However, during the course of the 20th century the use of Jawi declined rapidly, and today in Malaysia, Indonesia, Singapore and Brunei the Malay/Indonesian language is normally written in roman script. Perhaps because of Patani’s location within Thailand, and a system of state education not rooted in roman script, competency in Jawi appears to have lasted longer in Patani than perhaps anywhere else in Southeast Asia. This means that uniquely in Patani, Malay manuscripts written in Jawi have been produced until recently, including, for example, some elaborately decorated hand-written copies of the text Sejarah Kerajaan Negeri Patani, ‘History of the Malay Kingdom of Patani’, by Ibrahim Syukri, which was first published in 1958 and contains references to post-war events.

Sejarah Kerajaan Negeri Patani
Ingeniously decorated late 20th-century manuscript of Sejarah Kerajaan Negeri Patani, showing the start of the second chapter, Pembanganunan negeri Patani dan raja2, ‘The development of Patani and the descent of its rulers’. PNM MSS 3632, reproduced courtesy of the National Library of Malaysia…

Read more at http://blogs.bl.uk/asian-and-african/2017/08/malay-manuscripts-from-patani.html

 

Burnt out car

Heaven

By Chairil Anwar, 1947

Just as my mother and my grandmother too
And as seven generations before
I too ask to be allowed into heaven
which say Masyumi and Muhammadiyah flows with rivers of milk
and is full of beautiful maidens
But there’s a voice inside me weighing this up,
which dares to scoff: Can heaven really be
barren of the waters of the blue oceans,
of the soft touch of every harbour how come?
And also who can say for sure
there definitely awaits beautiful maidens
sounds like they have trouble swallowing like Nina, have Jati’s wry glance?

Malang, 28/2-’47


Masyumi was a post-World War II Islamic political party.

Muhammadiyah is a major Islamic non-government organisation which was founded in 1912.

Photo: http://www.iwm.org.uk/collections/item/object/205208464

 

Maharaja Gurnur Jenral Benggala

British ‘Islamic’ style seals from the Malay world – Asian and African studies blog – The British Library

The presence of an inscription in Arabic script is such a defining characteristic of seals used by Muslims that it tends to mask the fact that similar ‘Islamic’-style seals were also used by myriad other groups, including Christians in Ethiopia and Syria, Samaritans in Palestine, Hindu subjects of the Mughal emperor, European scholars of Arabic and Persian, and British officials of the East India Company. Examples from the British Library were featured in a recent blog post on Some British ‘Islamic’ style seals in Persian manuscripts from India by Ursula Sims-Williams, and in an earlier post on Performing Authority: the ‘Islamic’ seals of British colonial officers in the Persian Gulf by Daniel Lowe. In this post I have gathered together a small number of British ‘Islamic’-style seals from Southeast Asia, with inscriptions in Malay in Jawi (Arabic) script. (Read more..)

Annabel Teh Gallop, Lead Curator, Southeast Asia http://blogs.bl.uk/asian-and-african/2017/03/british-islamic-style-seals-from-the-malay-world.html

Record of the sale of a female Batak slave

Record of the sale of a female Batak slave named Dima by Nakhoda Licu of Pane to Mr. Peter Clark for $53, witnessed by Syaikh Muhammad and Mualim Kandu and written by Hakim Abdul Taif, 1 Jumadilakhir 1220 (27 August 1805), and signed and sealed the next day by the [acting] Governor W.E. Phillips, with the same seal as used in 1791. British Library, IOR: R/9/22/37, f. 175 http://blogs.bl.uk/asian-and-african/2017/03/british-islamic-style-seals-from-the-malay-world.html

Source: British ‘Islamic’ style seals from the Malay world – Asian and African studies blog

Graffiti

Event: Two films on transgender issues in Indonesia

07 February 2017

Film screening

The first screening of the ‘Framing Asia’ film series will focus on transgender issues in Indonesia. Two short films Renita, Renita and Accross Gender  will be followed by discussion with Intan Paramaditha, Indonesian author and lecturer in media and film studies and one of the filmmakers, Anouk Houtman.

Films

Renita, Renita (15min)

Tony Trimarsanto

Trapped in a male body, Renita wanted to be a doctor and a woman since she was a child but her parents forced her to study at a Islamic school where she was bullied and ostracized. She rebelled by becoming a prostitute in the hope of finding freedom but instead, found that it came at a cost — she experienced brutality and was discriminated against by her family and the Indonesian society in which she lived.

Across Gender (24min)

Anouk Houtman

What is it like being transgender in Yogyakarta? There is no single answer to this question. This film aims to show different ways of negotiating visibility in the Indonesian society when one ‘crosses gender’. The difficulty of this negotiation becomes apparent through the anti-LGBT sentiments and actions in early 2016.

Discussion

Anouk Houtman is a young filmmaker with an MA in Visual Anthropology of Leiden University. She graduated with a film and thesis researching the visibility of transgenders in Yogyakarta, Indonesia. Currently she is pursuing a second MA in Gender Studies and University Utrecht.

Intan Paramaditha is an Indonesian author and lecturer in media and film studies at Macquarie University, Sydney. Focusing on contemporary film practice in Indonesia, her research explores the relation between media, cultural activism, and sexual politics in the convergence and tension between national and cosmopolitan trajectories.

Time 19:30- hrs Venue Faculty of Humanities, Lipsius building, rom 028 Cleveringaplaats 1 Leiden Netherlands Google Maps

Source –http://iias.asia/event/two-films-transgender-issues-indonesia

Event: Women’s Resistance Through Arts and the Media in Indonesia – Intan Paramaditha

image

Praktisch: Free entrance
Doors open: 19:30
Met
Intan Paramaditha
Women’s Resistance Through Arts and the Media in Indonesia

The discourse of sexuality is inseparable from the tension and polarization that characterize politics and culture in Indonesia. Last year, after a series of anti-LGBT statements were publicly expressed by government officials and public figures, “pro-family” groups proposed to outlaw non-marital sex and homosexuality. This is not a sudden turn as debates around sex, bodies, and morality have been a national obsession for the past two decades. Sexuality is a contested sphere that reflects the fractured nature of the post-authoritarian nation.

Growing conservatism in Indonesia, as elsewhere, entails the attempts to regulate and censor women’s bodies. …

Source – http://intanparamaditha.org/event-womens-resistance-through-arts-and-the-media-in-indonesia/

Mau Dibawa Ke Mana Sinema Kita? : Beberapa Wacana Seputar Film Indonesia – Khoo Gaik Cheng & Thomas Barker (Penyunting)

Saya sering berkata “malas” untuk menonton film Indonesia. Bukan demi menunjukan sikap resistansi apapun. Tak ada pembenaran terkaitnya, karena mendukung perfilman Indonesia paling sederhana memang…

Mau Dibawa ke Mana Sinema Kita?

Mau Dibawa ke Mana Sinema Kita?

Source: Mau Dibawa Ke Mana Sinema Kita? : Beberapa Wacana Seputar Film Indonesia – Khoo Gaik Cheng & Thomas Barker (Penyunting)

Blue Mosque

Request

By Muhammad Yamin, 1921

Listening to the waves close to me
Pounding to the left and to the right
Chanting a song full of compassion
Awakened is a longing for the place of my birth.

In the East on my side
Shrouded in cloud-billowed skies
Appears the island full of marvels
That assuredly is the country of my birth.

Wherever the sea may pound and crash
And run seething up the sand
That is where my soul is, was first cast forth.

Wherever the waves may spraying writhe
Watering the isle of the Barisan Range along its coast
That is the place please, lay me to rest.

On the Indian Ocean, June 1921

 

padang

Padang city, West Sumatra


Request (Permintaan) was first published in Indonesian in the Dutch-language journal Jong Sumatra : organ van den Jong Sumatranen Bond, Batavia, June 1921. It was republished in Pane, Armijn (ed), Sandjak-Sandjak Muda Mr. Muhammad Yamin [The Young Poems of Mr. Muhammad Yamin], Firma Rada, Djakarta, 1954, p. 6.

Miners in the Ombilin Coal Mine at Sawahloento, Sumatra's West Coast, 1920

Homeland

By Muhammad Yamin, 1920

On the border, the Barisan Range,
I gaze out, look down and behold;
A vista of dense jungles and valleys;
And charming rice fields, winding rivers;
And then more, I see also,
The green canopy changes color
With forest crown, palm fronds;
That is the country, my homeland
Sumatra is its name, my beloved birth country.

As far as the eye can see, only forest,
Mountainous and hilly, nestling valleys;
Far in distance, way over there,
Bounded by mountains one by one
There is assuredly a heaven,
Without doubt a second paradise on earth
– A Malay Garden of Eden on top of the world!
That is the country I love,
Sumatra is its name, which I honor.

On the border, the Barisan Range,
Gazing down on beautiful beaches and bays;
A vista of water, endless water,
That is the sea, the Indian ocean.
Visible there are the waves, so many waves
Breaking onto the sand, then spreading out,
They thunder, as if to proclaim:
“Oh Andalas, island of Sumatra,
Make sweet the name, from north to south!”

Bogor, July 1920

Ngarai Sianok

Ngarai Sianok


Homeland (Tanah Air) was first published in Indonesian in the Dutch-language journal Jong Sumatra : organ van den Jong Sumatranen Bond, Batavia, 1920 No. 4. It was republished in Pane, Armijn (ed.), Sandjak-Sandjak Muda Mr. Muhammad Yamin [The Young Poems of Mr. Muhammad Yamin], Firma Rada, Djakarta, 1954, p. 5.

HASSAN BASRY: Pahlawan Nasional dari Kalsel

Face of a Hero

By Kosim Pohan, December 1945

The sudden thought passes, the intangible transforms,
In the mind, and makes the faces take form,
Going deep into the feelings, to the gates of the soul,
The spirit of the heroes of ancient times.

In ages past, among the islands, in mother earth,
Spilling blood flowed flooding the earth,
Mighty warriors inflicted vengeance,
Tears of suffering the Motherland shed.

Remembering you, oh noble fighter,
Clearly visible is your service, sir,
Like a torch illuminating young hearts
Lighting the path of the great struggle.

Hero, You Poet and Creator,
True warrior, creator of signs,
Your spirit burns bearing destruction,
Shines flickering into the depths of the heart.

You mighty hero, handsome dashing,
Embodiment of the present struggle,
Your soul will live eternal throughout the ages,
Reigning forever in the throne of our hearts.


Published in the second issue of revolution-era nationalist bimonthly journal Pantja Raja I:2, 1 December 1945, p. 34. The picture is of Hassan Basry.

pantja-raja