Category Archives: Feminism

Poem of a Young Woman and Her Boss

Poem of a Young Woman and Her Boss

By W. S. Rendra

Do not just grab me any way you feel like it.
It’s pretty clear to me where this is going.
I am no seer,
but I can obviously already see
what this hug means…

Fuck the education I got.
I was taught maths, typing, foreign language, deportment, and administration,
But they forgot to teach me:
If I’m grabbed from behind by the boss,
how should I react then!

Do not grab me any way you feel like it.
Not even my boyfriend dares to be as bold as that.
I can pretty clearly see what your goal is, mister.
When you elbow my tits,
I know what that means……

They taught me to hate sin
but they forgot to teach me
how to find work.
They taught me a lifestyle
whose products do not come from nature.
Taught me to need things that are produced by the bosses,
and controlled by the bosses.
Make-up accessories, air conditioners, synthetic vitamins, tonics, every kind of soda, and school certificates.
Education tided me to their markets, and to their capital.

And now, now that I’m an adult,
where else am I going to run to,
if not to the world of the bosses?

Do not grab me, mister, any way you feel like it.
I’m no academic
but I pretty much know
that all the work on my desk
is going to head in that direction.
Don’t, mister, don’t!
Do not grab me any way you feel like it.
Ah. Oh no.
The money you’re sliding inside my bra, mister,
is my education certificate.
Ah. Yes.
That’s how it is.
You grab me so confidently, mister.
Your fat belly
is pressing against my stomach.
Your fowl mouth
is kissing my mouth.
You do all of this
like it’s all normal, mister.
Every person in the community is helping you.
They grab both my legs.
And they force my thighs open
as you climb on top of my body, mister.

Yogya, 10 July 1975


Poem of a Young Woman and Her Boss (Sajak Gadis dan Majikan), State of Emergency, W.S. Rendra, Wild & Woolley, Glebe, 1978, p. 30.

 

Malam Transfigurasi, Karya Richard Dehmel

Malam Transfigurasi

Oleh Richard Dehmel

Dua orang melalui hutan kering yang dingin;
bulan berlari bersama mereka, mereka memandangnya.
Bulan berlari di atas pohon-pohon ek yang tinggi;
tidak ada awan yang mengaburkan cahaya dari langit,
di mana dahan kering hitam merentang.
Suara seorang wanita berbicara:

Aku mengandung anak, dan bukan milikmu,
aku berjalan dalam dosa di sampingmu.
Aku telah sangat berdosa pada diriku sendiri.
Aku tak lagi percaya pada kebahagiaan
namun penuh kerinduan
akan kehidupan yang bermakna, akan bahagianya menjadi ibu
akan tugas; kurelakan
dengan gemetar, kutinggalkan kaumku
dalam dekapan pria tak dikenal,
dan karenanya aku diberkati.
Sekarang hidup sendiri telah membalas dendam:
sekarang pun aku telah bertemu denganmu, ya kamu.

Dia berjalan dengan langkah canggung.
Dia mendongak; bulan sedang berlari.
Tatapan gelapnya tenggelam dalam cahaya.
Suara seorang pria berbicara:

Biarkan anak yang kaukandung
membuat jiwamu tanpa beban.
Ya, lihat betapa jernihnya alam semesta berkilau!
Ia bersinar untuk segalanya;
Kau terapung denganku di atas laut yang dingin,
tapi ada kehangatan pribadi berkedip
dari kau di dalamku, aku di dalammu.
Ini akan metransfigurasi anak yang asing itu,
Kau akan lahirkan anak itu bagai anakku sendiri;
kau bawa cahaya padaku,
kau buatkan aku seorang anak.

Dia rangkul tubuh yang penuh.
Napas mereka berciuman di udara.
Dua orang melalui malam yang tinggi dan cerah.


—Richard Dehmel, Verklärte Nacht, pertama kali diterbitkan di Weib und Welt (1896)

Rujukan

Featured image credit: www.dehmelhaus.de/aktuell.html

Haters

Haters

By Kotak

Hey, my hater, don’t hate me
You’ll just hurt yourself
Hey, my hater, don’t spy on me
You’ll just be disappointed

I’m having a good time, enjoying my life
Why are you the one who ends up
Hurting, disturbed
Because of me?

You claim to be happy
But in reality, you’ve got problems
Problems seeing, seeing
That I’m happy.. that’s your tough luck.

Hey, my hater, don’t hate me
You’re just wasting your energy
Hey, my hater, the more you hate me
The sadder your life becomes

I’m having a good time, enjoying my life
Why are you the one who ends up
Suffering, disturbed
Because of me?

You claim to be happy
But the reality is, you’ve got problems
Problems seeing, seeing
That I’m happy.. that’s your tough luck.

What’s wrong, see, you want your life to be difficult
Always finding fault, so you can criticize
I’m over it, wow, friends even, what’s the point?
What there is, is you’re disappointed, when I’m having fun
Criticize here, criticize there, you don’t like anything
You don’t even provide, but you’re the one who gets mad
Me, well, I don’t have a problem, but you get stressed
Always wrong, better if I just party
You hate, but I get motivated
For me it’s better, you though, are getting angrier
We’ve stopped being friends, we’re, true, not enemies?
Pull your life together, don’t throw everything away

You claim to be happy
But the reality is you’ve got problems
Problems seeing, seeing
That I’m happy, ohhh..

Claiming to be happy
But the reality is you’ve got problems
problems seeing, seeing
That I’m happy, that’s your tough luck

Maria Ullfah, Mother of Indonesia’s National Women’s Day – @PotretLawas

Dutch East Indies Students in Holland, 1932. Maria Ullfah (right) would go on to become the first woman bachelor of laws from the Dutch East Indies.
Dutch East Indies Students in Holland, 1932. Maria Ullfah (right) would go on to become the first woman Bachelor of Laws from the Dutch East Indies. (Source: @Potretlawas)

Maria Ullfah was the daughter of Kuningan regent R.A.A. Mohammad Achmad. Maria entered the Faculty of Law at the University of Leiden in 1929 and graduated in 1933.

A friend from the same faculty and boarding house, Siti Soendari (left), who was also the sister of Dr. Soetomo, followed by taking a Bachelor of Laws the following year. On her return to the Dutch East Indies, Maria Ullfah worked in the office of the Cirebon regency government, however, this was only to last several months because she chose to study German and government at the Muhammadiyah school in Batavia. It was probably here that Maria Ullfah’s involvement in the nationalist movement began.

The causes which Maria championed included a fair marriage law, which she proposed at the Third Women’s Congress. Maria then became the head of the Agency for the Protection of Indonesian Women in Marriage. Her goal was a marriage law which was based on the principle of equity of rights and responsibilities between men and women.

22 December was declared Women’s Day at the Third Women’s Congress which was held in Bandung from 23 to 27 July 1938. Women’s Day in 1953 was a gala celebration as it was the twenty-fifth anniversary of the first Women’s Congress. However, as a national day Women’s Day was not made a public holiday until 1959 with the release of Presidential Decree No. 316/1959.

Some of Maria Ullfah’s other important roles included the inclusion of human rights articles in the 1945 Constitution as it was being drafted by the Body Investigating Steps for Preparedness for Indonesian Independence (BPUPKI). Maria was one of its members. It was Maria who strongly protested when the early draft made no mention of human rights. Drs. Mohammad Hatta played the same role.

After independence, Maria Ullfah became Minister of Social Affairs in the Second Sjahrir Cabinet in 1946. It was under her stewardship that the Office of Workers’ Affairs was born which was the forerunner of today’s Ministry of Labor (@KemnakerRI). She was part of the fight for workers’ rights through her drafting of the social affairs law which aimed to improve the conditions of workers. This draft became law in 1948.

So it was that after this long record of nationalist struggle in 1959 Maria Ullfah proposed that Women’s Day on 22 December be made a national day. At the time Maria was Director of the Prime Minister’s Cabinet office during the administration of Prime Minister Juanda.

Her dream was simple, that women would always be aware of their responsibilities as mothers of the nation.

Hari Ibu, 1939 (Source: @Potretlawas)
Hari Ibu, 1939 (Source: @Potretlawas)

Source: Various tweets from @potretlawas.

Event: Two films on transgender issues in Indonesia

Renita Renita
Renita Renita

07 February 2017

Film screening

The first screening of the ‘Framing Asia’ film series will focus on transgender issues in Indonesia. Two short films Renita, Renita and Accross Gender  will be followed by discussion with Intan Paramaditha, Indonesian author and lecturer in media and film studies and one of the filmmakers, Anouk Houtman.

Films

Renita, Renita (15min)

Tony Trimarsanto

Trapped in a male body, Renita wanted to be a doctor and a woman since she was a child but her parents forced her to study at a Islamic school where she was bullied and ostracized. She rebelled by becoming a prostitute in the hope of finding freedom but instead, found that it came at a cost — she experienced brutality and was discriminated against by her family and the Indonesian society in which she lived.

Across Gender (24min)

Anouk Houtman

What is it like being transgender in Yogyakarta? There is no single answer to this question. This film aims to show different ways of negotiating visibility in the Indonesian society when one ‘crosses gender’. The difficulty of this negotiation becomes apparent through the anti-LGBT sentiments and actions in early 2016.

Discussion

Anouk Houtman is a young filmmaker with an MA in Visual Anthropology of Leiden University. She graduated with a film and thesis researching the visibility of transgenders in Yogyakarta, Indonesia. Currently she is pursuing a second MA in Gender Studies and University Utrecht.

Intan Paramaditha is an Indonesian author and lecturer in media and film studies at Macquarie University, Sydney. Focusing on contemporary film practice in Indonesia, her research explores the relation between media, cultural activism, and sexual politics in the convergence and tension between national and cosmopolitan trajectories.

Time 19:30- hrs Venue Faculty of Humanities, Lipsius building, rom 028 Cleveringaplaats 1 Leiden Netherlands Google Maps

Source –http://iias.asia/event/two-films-transgender-issues-indonesia