The uncertain situation of the pandemic due to government policies that are not concerned with the welfare and security of the people makes anyone indignant. Survival is initiated independently and collectively through community solidarity action, including protest. Ironically, community action has not been responded to as an aspiration prompting government improvement, but instead was responded to with repression. Wukir’s statement of disobedience is not only directed against the sociopolitical conditions, but also against all things that limit and restrict freedom of expression.
This attitude is reflected in the compositions on this album. It’s not as melodic as it used to be. Dark as usual, aggressive, abrasive, transcendental, and definitely tribal. The percussion element is very dominant. This emerged from his new instrument in the form of a wooden box with a line-shaped hole. This ancient-futuristic album marks a tumultuous new cross-dimensional era to affirm our stance, to disobey.
released November 10, 2021
Kentongan serie A and B,
Guitar, Industrial Mutant, Solet, Senyawa x Benchlab Pedal serie R prototype
Recorded in Senyawa Mandiri, 2021
Mastered by Joseph Lamont
some rights reserved
alternative experimental indonesia Yogyakarta
The Jakarta Arts Council expresses its deepest condolences at the passing of poet, academic, and patron of the arts, Ms Toeti Heraty Noerhadi. She served as member of the Jakarta Arts Council (1968 – 1971), Chair of the Jakarta Arts Council (1982 – 1985), member of the Jakarta Academy, and Chancellor of the Jakarta Institute for the Arts (1990 – 1996). Farewell, your service will always be remembered in the annals of the journey of the arts and culture in Indonesia. Friends can read an obituary for Toeti Heraty at the Jakarta Arts Council’s website, https://dkj.or.id/berita/obituary-toeti-heraty-noerhadi/ Photo Credit: Eva Tobing (@evatobing1112) Design Credit: @riosadja / DKJ
Islamisation and the formation of vernacular Muslim material culture in 15th-century northern Sumatra: Indonesia and the Malay World Journal Article
By R. Michael Feener, Patrick Daly, E. Edwards McKinnon, Luca Lum En-Ci, Ardiansyah, Nizamuddin, Nazli Ismail, Tai Yew Seng, Jessica Rahardjo & Kerry Sieh
“This study presents a distinctive type of Muslim gravestone found on the northern coast of Sumatra, Indonesia, that dates to the 15th century. These grave markers, locally known as plang-pleng, provide evidence for the formation and disappearance of an early form of vernacular Muslim material culture in Southeast Asia. We documented over 200 of these gravestones during a large-scale archaeological landscape survey. In this article, we present a typology of these gravestones based upon..”
The sun rose this morning
Sniffed the smell of baby piss on the horizon,
Looked at the brown river snaking its way to the sea,
And listened to the hum of the bees in the forest.
And now it starts to climb into the sky
And it presides to bear witness, that we are gathered here
To investigate the current situation.
Why are good intentions sometimes no use?
Why can good intentions clash with good intentions?
People say: “We have good intentions.”
And we ask: “Good intentions for who?”
Yes, some are mighty and some are humble.
Some are armed and some are injured.
Some have positions and some are occupied.
Some have plenty and some are emptied.
And we here ask:
“Your good intentions are for who?
You stand on the side of who?”
Why are good intentions put into practice
But more and more farmers lose their land?
Farms in the mountains are bought up by people from the city.
Only benefit just one small group.
Advanced equipment that is imported
Doesn’t suit farmers with tiny pieces of land.
Well we ask:
“So your good intentions are for who?”
Now the sun is rising high in the sky.
And will indeed be enthroned above the palm trees.
And here in the hot air we will also ask:
All of us are educated to stand on the side of who?
Will the knowledge taught here
Be an instrument of liberation,
Or of oppression?
The sun shall soon go down.
Night will arrive,
The geckos chatter on the wall
And the moon sails forth.
But our questions shall not abate.
They shall live in the people’s dreams,
Grow in the fields that recede into the distance.
And on the morrow,
The sun shall rise once more.
Evermore the new day shall incarnate,
Our questions shall become a forest,
Transform into rivers,
And become the waves of an ocean.
Under this hot sun, we ask:
There are those who scream and those who beat,
There are some with nothing and some who scratch for something.
And our good intentions,
Stand on the side of who?
1 December 1977
This poem was presented to students at the University of Indonesia and performed in the film “Yang Muda Yang Bercinta” directed by Syumanjaya.
Poem for a Student Meeting (Sajak Pertemuan Mahasiswa), State of Emergency, W.S. Rendra, Wild & Woolley, Glebe, 1978, p. 38.
Aliansi Badan Eksekutif Mahasiswa (BEM) Seluruh Indonesia yang di dalamnya beranggotakan 150 lebih perguruan tinggi menyatakan penolakan menghadiri undangan terbuka Presiden Jokowi ke Istana Negara …. https://t.co/hAJZV5ax3H
This exhibition looks at the creative practices of Indonesian artists working since the fall of President Suharto in 1998, an event that marked the end of three decades of the repressive, discriminatory New Order regime. (Find out more here.)